I’ve never really been absolutely sure how a poem starts with me. Sometimes it begins with a line, sometimes an image, something that takes me so far out of myself I can’t help but write the poem down. The true beginning of DILLINGER started out with a name and then a name under the sound of that name, and maybe a name even deeper down than that. Call it an under name. And, the name became a dare to see where it all would go from there. That subterranean talking. That talking going on just underneath the regular talking. An outlaw conversation, a demon dialogue, a place to dredge up all the dark dreams and the nightmare murders in the soul.
Todd Moore | all the dark talking to the angel of death (extracto)
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